Music Theory for Songwriters

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Chord Charts and Maps

These charts and maps are designed to print on one page.

In the “Chord Picture” diagrams, the notes shown are played by the right hand. The bass note, played by the left hand, is not shown. Usually the bass note is the same letter name as the chord. For example, any chord with the name C (Cm6, CM7...) would have a C as its bass note.

Scales

Scale Diagrams for the Twelve Major Keys

Chord Pictures

Chord Progression Maps

The Big Map In C
The Big Map In Db
The Big Map In D
The Big Map In Eb
The Big Map In E
The Big Map In F
The Big Map In Gb
The Big Map In G
The Big Map In Ab
The Big Map In A
The Big Map In Bb
The Big Map In B

The Generic Map

The Generic Map for Major Scales
"G" at Harp On encouraged me to create a generic map
and this is the result. It has a few more green circles, and a few more connections.

Another Resource to Consider

We also have a program (which runs on Windows PC's) that allows you to click on a map and hear the chord as well as see it displayed on a virtual keyboard.

This program may be helpful for music theory students, songwriters who have never had a chance to take music theory courses, and students learning to play the piano by ear.

There is a Free Trial available (to test it on your computer), and if you like working with the program, you may purchase the Full Version at the price of your choosing. We wanted everyone interested to have a copy at a price that works for them.

If you are interested in finding out more, click on the “mouse with baton” icon to the right.

How Were the Maps Developed?

While studying music theory in college, I was introduced to ideas pertaining to chords and chord flow. After leaving college, I was teaching piano to young students for a while. Searching for ways to make chord flow accessible to young minds, I began drawing diagrams that would allow a child to create strong progressions. It seemed best to put each chord at a visual location with arrows to direct the flow. I experimented with different variations before choosing what I now call the Simple Map. Years later, I added the secondary chords that make the Big Map look the way it does. A few adjustments were made to create the Generic Map.

I hope these pages, charts, and maps will help you understand chords and how they flow together. Enjoy writing music. Love and peace to all.

Ready for the Next Lesson?

This way to Part Six.

Mugglinworks.com / Chordmaps / Chord Charts and Maps

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